The cards contain the author’s programming instructions for the storyboard. The documentation that accompanies the exhibition consists of twenty-four cards mounted on a ring. Twenty-four screen designs from the storyboard are displayed back-to-back to create twelve viewing stations that are arranged in a formation resembling the mathematical symbol for infinity.
The installation Hickory Dickory Dock is a three-dimensional layout of the storyboard for an interactive computer artwork.
In fact, most interfaces use words and symbols that represent a Western perspective of time which is not always appropriate for the non-narrative structure of interactive programs. However, little focus has been placed on the temporal dynamics of navigation in interactive computing. Interface designs in interactive programs emphasize the use of spatial references for navigation and orientation. The artwork also comments on many of the myths and illusions surrounding interactive electronic media. Hickory Dickory Dock is an art installation that highlights the conceptual and aesthetic limitations of language and symbols in human-computer interaction. This paper discusses critical issues in the aesthetics of space and time in interactive computing. In particular, the artwork highlights the conceptual and aesthetic limitations of language and symbols in human-computer interaction. The artwork also comments on many of the myths and illusions surrounding interactive computing. Hickory Dickory Dock is an art installation that critiques the aesthetics of space and time in interactive computer programs. Hickory Dickory Dock: The Clock Strikes One in Hyperspace.ISEA96: Seventh International Symposium on Electronic Art.Filmmakers, Video Artists, and Animators.Art, Electronic Theater or Performance Jury.
0 kommentar(er)
